Proofs of God’s - Ten Speed (Of God’s Blood and Burial)

“Ten Speed (Of God’s Blood and Burial)” is a song by progressive rock band Coheed and Cambria from their 2005 album Good Apollo, I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness. It is the third single from the album. The band requested that fans come to Los Angeles to appear in the video, which was released summer 2006, in Europe.

In the Good Apollo graphic novel, Ten Speed is the manifestation of the Writing Writer’s evil thoughts in the form of a bicycle. Ten Speed tries to convince the Writer to kill off a character named Ambellina. Ambellina is a Prise who is sent to watch over the story’s main character, Claudio Kilgannon. The Writer discovers that Ambellina is based off of his own cheating ex-girlfirend, Miss Erica Court, and to get over her, he must kill off the Ambellina character. The following dialogue from the comic book can be heard verbatim in the song.

Ten Speed: So are you gonna kill her off?
Writer: No, I love the character. She stays.
Ten Speed: Love is what got you in this position. I say kill her off!
Writer: You say a lot of things. And how’s that work? You’re a bicycle.


External links

  • Coheed and Cambria Official Website
  • Evil Ink’s Official Website

Resources

Salvation in - National Salvation Committee

This article is about the National Salvation Committee of Ukraine. There are and have been numerous other committiees with the same name.

The National Salvation Committee was an organization founded by Viktor Yushchenko and his supporters in the run up to the Orange Revolution.

Resources

Player - Boarding (ice hockey)

Boarding in ice hockey is a penalty called when an offending player violently pushes an opposing player into the boards of the hockey rink, when the player is facing the board. The boarding call is quite often a major penalty due to the likelihood of injury sustained by the player who was boarded. However if no injury is sustained a minor penalty will be called. Boarding is usually assessed to a player when the opposing player is hit 4-5 feet away from the boards and hits his head against the boards on the way down.

See also: Checking

Resources

Slipway. A ship - HMCS Fortune (MCB 151)

HMCS Fortune was a Bay class minesweeper built for the Royal Canadian Navy.

Commissioned in 1955, she was named for Fortune Bay.

She was decommissioned in 1969 and sold into mercantile service. She was refitted as the charter yacht MV Edgewater Fortune and is now used for short cruises along the coast of British Columbia.

There are two places - List of Registered Historic Places in Bullock County, Alabama

List of Registered Historic Places in Bullock County, Alabama:

Main article: List of Registered Historic Places in Alabama
This list is complete as of the Recent Listings dated June 29, 2007

Contents


Midway

  • Merritt School — Old Troy Rd., 0.5 mi. S of US 82 (added March 20, 1998)


Union Springs

  • Bullock County Courthouse Historic District — N. Prairie St. (added November 8, 1976)
  • Foster House — 201 Kennon St. (added September 14, 1998)
  • Sardis Baptist Church — AL 223S at jct. Cty. Rd. 22 (added December 29, 2001)


See also

  • List of Registered Historic Places in Alabama

Resources

Proofs of - Proof by exhaustion

This article is about the type of mathematical proof. For the method of calculating limits, see Method of exhaustion.

Proof by exhaustion, also known as proof by cases, perfect induction, or the brute force method, is a method of mathematical proof in which the statement to be proved is split into a finite number of cases, and each case is proved separately. A proof by exhaustion contains two stages:

  • A proof that the cases are exhaustive; i.e., that each instance of the statement to be proved matches the conditions of (at least) one of the cases.
  • A proof of each of the cases.

In contrast, the method of exhaustion of Eudoxus of Cnidus was a geometrical and essentially rigorous way of calculating mathematical limits.


Example

To prove that every cube number is either a multiple of 9 or 1 more or 1 less than a multiple of 9.

Proof:

Each cube number is the cube of some integer n. This integer n is either a multiple of 3, or 1 more or 1 less than a multiple of 3. So these 3 cases are exhaustive:

  • Case 1: If n = 3p, then n³ = 27p³, which is a multiple of 9.
  • Case 2: If n = 3p+1, then n³ = 27p³+27p²+9p+1, which is 1 more than a multiple of 9. For instance, if n = 4 then n³ = 64 = 9×7+1.
  • Case 3: If n = 3p−1, then n³ = 27p³−27p²+9p−1, which is 1 less than a multiple of 9. For instance, if n = 5 then n³ = 125 = 9×14−1.


How many cases?

There is no upper limit to the number of cases allowed in a proof by exhaustion. Sometimes there are only two or three cases. Sometimes there may be thousands or even millions. For example, rigorously solving an endgame puzzle in chess might involve considering a very large number of possible positions in the game tree of that problem.

The first proof of the four colour theorem was a proof by exhaustion with 1,936 cases. This proof was controversial because the majority of the cases were checked by a computer program, not by hand. The shortest known proof of the four colour theorem today still has over 600 cases.

Mathematicians prefer to avoid proofs with large numbers of cases.
Such proofs feel inelegant to them. A proof with a large number of cases leaves an impression that the theorem is only true by coincidence, and not because of some underlying principle or connection.
Other types of proofs — such as proof by induction (mathematical induction) — are considered more elegant.
However, there are some important theorems for which no other method of proof has been found.

As well as the four colour theorem, other examples of large proofs by exhaustion are:

  • The proof that there is no finite projective plane of order 10.
  • The classification of finite simple groups.
  • The Kepler conjecture.


See also

  • Case analysis
  • Computer-assisted proof

Of Young Scientists WAYS - List of Christian Scientists

Someone searching for a list of Christian Scientists might be searching for…

  • List of Christian thinkers in science-Which lists scientists who are noted Christians.
  • List of Christian Scientists (religious denomination)-Lists important adherents of the faith called Christian Science.

Resources

Quinquae viae There - Anton Webern

Anton Webern (December 3, 1883 – September 15, 1945) was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student and significant follower of Arnold Schoenberg, he became one of the best-known proponents of the twelve-tone technique; in addition, his innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism.


Biography

Webern was born in Vienna, Austria, as Anton Friedrich Wilhelm von Webern. He never used his middle names and dropped the von in 1918 as directed by the Austrian government’s reforms after World War I. After spending much of his youth in Graz and Klagenfurt, Webern attended Vienna University from 1902. There he studied musicology with Guido Adler, writing his thesis on the Choralis Constantinus of Heinrich Isaac. This interest in early music would greatly influence his compositional technique in later years by employing palindromic form on both the micro- and macro-scale and the economic use of musical materials.

He studied composition under Arnold Schoenberg, writing his Passacaglia, Op. 1 as his graduation piece in 1908. He met Alban Berg, who was also a pupil of Schoenberg’s, and these two relationships would be the most important in his life in shaping his own musical direction. After graduating, he took a series of conducting posts at theatres in Ischl, Teplitz, Danzig, Stettin, and Prague before moving back to Vienna. There he helped run Schoenberg’s Society for Private Musical Performances from 1918 through 1922 and conducted the “Vienna Workers Symphony Orchestra” from 1922 to 1934.

Webern’s music was denounced as “cultural Bolshevism” and “degenerate art” by the Nazi Party in Germany, even before they seized power in Austria in 1938.Moldenhauer and Moldenhauer 1978, 473–75, 478, 491, 498–99 Although Webern had sharply attacked Nazi cultural policies in private lectures given in 1933, their intended publication did not take place at that time, which proved fortunate since this later “would have exposed Webern to serious consequences.”Webern 1963, 7, 19–20 During the war, however, his patriotic fervor led him to endorse the regime in a series of letters to Joseph Hueber, where he described Hitler on 2 May 1940 as “this unique man” who created “the new state” of Germany.Moldenhauer and Moldenhauer 1978, 527 As a result of official disapproval, he found it harder (though at no stage impossible) to earn a living, and had to take on work as an editor and proofreader for his publishers, Universal Edition. He left Vienna near the end of the war, and moved to Mittersill in Salzburg, believing he would be safer there. On 15 September 1945, during the Allied occupation of Austria, he was accidentally shot dead by an American Army soldier following the arrest of his son-in-law for black market activities, when, despite the curfew in effect, he stepped outside the house to enjoy a cigar without disturbing his sleeping grandchildren.


Webern’s music

Doomed to total failure in a deaf world of ignorance and indifference, he inexorably kept on cutting out his diamonds, his dazzling diamonds, of whose mines he had a perfect knowledge. — Igor Stravinsky

Webern was not a prolific composer; just thirty-one of his compositions were published in his lifetime, and when Pierre Boulez oversaw a project to record all of his compositions, including those without opus numbers, the results fit on just six CDs.Complete Webern Edition, Deutsche Grammophon. 6CD set 457 637-2. However, his influence on later composers, and particularly on the post-war avant garde, was immense. His mature works, using Arnold Schoenberg’s twelve tone technique, have a textural clarity and emotional coolness which greatly influenced composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen.

Like almost every composer who had a career of any length, Webern’s music changed over time. However, it is typified by very spartan textures, in which every note can be clearly heard; carefully chosen timbres, often resulting in very detailed instructions to the performers and use of extended instrumental techniques (flutter tonguing, col legno, and so on); wide-ranging melodic lines, often with leaps greater than an octave; and brevity: the Six Bagatelles for string quartet (1913), for instance, last about three minutes in total.

Webern’s earliest works are in a late Romantic style. They were neither published nor performed in his lifetime, though they are sometimes performed today. They include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet.

Webern’s first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically speaking, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern’s later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.

For a number of years, Webern wrote pieces which were freely atonal, much in the style of Schoenberg’s early atonal works. With the Drei Geistliche Volkslieder (1925) he used Schoenberg’s twelve tone technique for the first time, and all his subsequent works used this technique. The String Trio (1927) was both the first purely instrumental work using the twelve tone technique (the other pieces were songs) and the first cast in a traditional musical form.

Webern’s tone rows are often arranged to take advantage of internal symmetries; for example, a twelve-tone row may be divisible into four groups of three pitches which are variations, such as inversions and retrogrades, of each other, thus creating invariance. This gives Webern’s work considerable motivic unity, although this is often obscured by the fragmentation of the melodic lines. This fragmentation occurs through octave displacement (using intervals greater than an octave) and by moving the line rapidly from instrument to instrument (sometimes, and somewhat erroneously, called Klangfarbenmelodie).

Webern’s last pieces seem to indicate another development in style. The two late Cantatas, for example, use larger ensembles than earlier pieces, last longer (No. 1 around nine minutes; No. 2 around sixteen), and are texturally somewhat denser.


List of works


Works with opus numbers

The works with opus numbers are the ones that Webern saw fit to have published in his own lifetime, plus a few late works published after his death. They constitute the main body of his work, although several pieces of juvenilia and a few mature pieces that do not have opus numbers are occasionally performed today.

  • Passacaglia, for orchestra, opus 1 (1908)
  • Entflieht auf Leichten Kähnen, for a cappella choir on a text by Stefan George, opus 2 (1908)
  • Five Lieder on Der Siebente Ring, for voice and piano, opus 3 (1907-08)
  • Five Lieder after Stefan George, for voice and piano, opus 4 (1908-09)
  • Five Movements for string quartet, opus 5 (1909)
  • Six Pieces for large orchestra, opus 6 (1909-10, revised 1928)
  • Four Pieces for violin and piano, opus 7 (1910)
  • Two Lieder, on texts by Rainer Maria Rilke, for voice and piano, opus 8 (1910)
  • Six Bagatelles for string quartet, opus 9 (1913)
  • Five Pieces for orchestra, opus 10 (1911-13)
  • Three Little Pieces for cello and piano, opus 11, (1914)
  • Four Lieder, for voice and piano, opus 12 (1915-17)
  • Four Lieder, for voice and orchestra, opus 13 (1914-18)
  • Six Lieder for voice, clarinet, bass clarinet, violin and cello, opus 14 (1917-21)
  • Five Sacred Songs, for voice and small ensemble, opus 15 (1917-22)
  • Five Canons on Latin texts, for high soprano, clarinet and bass clarinet, opus 16 (1923-24)
  • Three Traditional Rhymes, for voice, violin (doubling viola), clarinet and bass clarinet, opus 17 (1924)
  • Three Lieder, for voice, E flat clarinet and guitar, opus 18 (1925)
  • Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, opus 19 (1926)
  • String Trio, opus 20 (1927)
  • Symphony, opus 21 (1928)
  • Quartet for violin, clarinet, tenor saxophone and piano, opus 22 (1930)
  • Three Songs on Hildegard Jone’s Viae inviae, for voice and piano, opus 23 (1934)
  • Concerto for flute, oboe, clarinet, horn, trumpet, violin, viola and piano, opus 24 (1934)
  • Three Lieder on texts by Hildegard Jone, for voice and piano, opus 25 (1934-35)
  • Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, opus 26 (1935)
  • Variations, for solo piano, opus 27 (1936) - of the opening bars (ogg format, 19 seconds, 85 KB)
  • String Quartet, opus 28 (1937-38) - the tone row of this piece is based around the BACH motif
  • Cantata No. 1, for soprano, mixed choir and orchestra, opus 29 (1938-39)
  • Variations, for orchestra, opus 30 (1940)
  • Cantata No. 2, for soprano, bass, choir and orchestra, opus 31 (1941-43)


Works without opus numbers

  • Two Pieces for cello and piano (1899)
  • Three Poems, for voice and piano (1899-1902)
  • Eight Early Songs, for voice and piano (1901-1903)
  • Three Songs, after Ferdinand Avenarius (1903-1904)
  • Im Sommerwind, idyl for large orchestra after a poem by Bruno Wille (1904)
  • Slow Movement for string quartet (1905)
  • String Quartet (1905)
  • Piece for piano (1906)
  • Rondo for piano (1906)
  • Rondo for string quartet (1906)
  • Five Songs, after Richar Dehmel (1906-1908)
  • Piano Quintet (1907)
  • Four Songs, after Stefan George (1908-1909)
  • Five Pieces for orchestra (1913)
  • Three Songs, for voice and orchestra (1913-1914)
  • Cello Sonata (1914)
  • Piece for children, for piano (1924)
  • Piece for piano, in the tempo of a minuet (1925)
  • Piece for string trio (1925)
  • Deutsche Tänze (German Dances) by Schubert (1824), orchestrated by Webern (1932)


References


Bibliography

  • Bailey, Kathryn. 1991. The Twelve-Note Music of Anton Webern: Old Forms in a New Language. Music in the Twentieth Century 2. Cambridge and New York: Cambridge University Press. ISBN 0521390885 (cloth) ISBN 0521547962 (pbk. ed., 2006)
  • Bailey, Kathryn (ed.). 1996. Webern Studies. Cambridge and New York: Cambridge University Press. ISBN 0521475260
  • Bailey, Kathryn. 1998. The Life of Webern Cambridge and New York: Cambridge University Press. ISBN 052157336X (cloth) ISBN 0521575664 (pbk)
  • Ewen, David. 1971. “Anton Webern (1883-1945),” in Composers of Tomorrow’s Music, 66-77. New York: Dodd, Mead & Co. ISBN 0-396-06286-5
  • Forte, Allen. 1998. The Atonal Music of Anton Webern New Haven: Yale University Press. ISBN 0300073526
  • Hayes, Malcolm. 1995. Anton von Webern. London: Phaidon Press. ISBN 0714831573
  • Mead, Andrew. 1993. “Webern, Tradition, and ‘Composing with Twelve Tones’”, Music Theory Spectrum 15:173–204.
  • Moldenhauer, Hans. 1961. The Death of Anton Webern: A Drama in Documents New York: Philosophical Library. OCLC 512111
  • Moldenhauer, Hans. 1966. Anton von Webern Perspectives. Edited by Demar Irvine, with an introductory interview with Igor Stravinsky. Seattle: University of Washington Press.
  • Moldenhauer, Hans, and Rosaleen Moldenhauer. 1978. Anton von Webern: A Chronicle of His Life and Work. New York: Alfred A. Knopf. ISBN 0-394-47237-3 London: Gollancz. ISBN 0575024364
  • Noller, Joachim. 1990. “Bedeutungsstrukturen: zu Anton Weberns ‘alpinen’ Programmen.” Neue Zeitschrift für Musik151, no. 9 (September): 12–18.
  • Perle, George. 1991. Serial Composition and Atonality: an Introduction to the Music of Schoenberg, Berg and Webern. Sixth ed. Berkeley and Los Angeles: University of California Press.
  • Webern, Anton. 1963. The Path to the New Music. Edited by Willi Reich. [Translated by Leo Black.] Bryn Mawr, Pennsylvania: Theodore Presser Co., in Association with Universal Edition. Reprinted London: Universal Edition, 1975. (Translation of Wege zur neuen Musik. Vienna: Universal Edition, 1960.)
  • Wildgans, Friedrich. 1966. Anton Webern. Translated by Edith Temple Roberts and Humphrey Searle. Introduction and notes by Humphrey Searle. New York: October House.


Further reading

  • Tsang, Lee (2002). “The Atonal Music of Anton Webern (1998) by Allen Forte”. Music Analysis, 21/iii (October), 417-27.


Software

  • WebernUhrWerk - generative music generator by Karlheinz Essl, based on Anton Webern’s last twelve-tone row, commemorating his sudden death on 15 September 1945. - Free download for MacOS X and Windows XP.


See also

  • List of Austrians in music
  • List of Austrians


External links

  • Das Synthese-Denken bei Anton Webern - Dissertation by Karlheinz Essl with English abstract (1988)
  • Anton Webern Langsamer Satz (1905) for String Quartet Sound-bite
  • www.antonwebern.com - opus list, short biography, music and photo download

Resources

Undergoing construction in a - Wychert

Wychert or witchert is a packed earth building construction method.

It can also refer to the material (a type of earth) used for the construction.

Wychert buildings are found largely in the UK village of Haddenham and the surrounding area, Haddenham Methodist Chapel being one
of the larger examples.


See also

Cob - Another packed earth construction method.


External links

  • The Witchert Buildings of Buckinghamshire, England:Learning Sustainable Construction from our Ancestors(Google cached version accessed 10 March 2006)

Resources

Goalie prevents - Trevor Manning

Trevor Wayne Manning (born December 19, 1945 in Wellington) is a former field hockey goalkeeper from New Zealand, who was a member of the national team that won the golden medal at the 1976 Summer Olympics in Montreal.

He was the back-up NZ team goalie at the 1968 and 1972 Summer Olympics, and never played a match at either tournament. He’d been a member of the New Zealand side since 1967, but for several years was kept out of the top line-up by first choice Ross McPherson. But in 1976 he was the No 1 goalie and played a full and vital part in the gold medal triumph.

The Wellingtonian is famous because with just a few minutes remaining in the 1976 Olympic final against Australia (1-0 win), he stopped a powerful shot but smashed his kneecap in the process, not that he knew it at the time.

After taking a few moments to recover from the blow, he did two full squats, which proved to the New Zealand team management that he was ready to resume playing. Manning, a courageous goalie, made another outstanding save near the end of the match.

Manning, a waterside worker for many years, has remained close to hockey, but his career was virtually ended by the accident in Montreal. He required extensive surgery on his return home.

Prescribed circumstances - Alton J. Parker

Alton J. Parker (1879-1927), an English chemist or pharmacist, was the creator of the amyl nitrite capsule, commonly known as a “popper.”

Amyl nitrite was discovered in 1844 and was found to relax the capillary blood vessels. In 1867, Thomas Lauder Brunton, a medical student in Scotland, found the drug helped relieve angina by increasing blood flow to the heart. Parker was the first pharmacist to produce amyl nitrite in capsule form for inhalation, sometime just before the First World War.

Nitroglycerine was found to have a dilating effect similar to amyl nitrite. Although both can still be prescribed for angina, nitroglycerine is much more commonly prescribed because it is more easily administered and has fewer side effects.

A prescription was required for amyl nitrite until the early 1960s when the U.S. Food & Drug Administration approved it for over-the-counter sale. That approval was withdrawn in 1969 when the FDA discovered that it was being used as a recreational drug.

Resources

Of God’s existence by - Agape Christian Fellowship

Agape Christian Fellowship is an evangelical Christian ministry that serves college campuses in Rochester, New York. Agape Christian Fellowship, also called “ACF” meets on campus at the University of Rochester, but also draws students from Eastman School of Music, Rochester Institute of Technology, and Monroe Community College. The vision and purpose of ACF is to disciple students of every ethnicity and culture to grow in their love for God, God’s Word, and God’s purposes. ACF’s ministry began as an endeavor of the Rochester Korean United Methodist Church, located in Penfield, NY.

Agape Christian Fellowship holds its regular large group meetings on Friday evenings at 7:30pm in the Gowen Room in Wilson Commons. In addition to weekly large group meetings, there are small groups (usually between 5-7 people) that meet throughout the week for more intimate opportunities for discipleship and fellowship. The pastor/staff worker leading this ministry is Pastor Tom Muratore.

Resources

Series a - Now That’s What I Call Music! 21

Now That’s What I Call Music! 21 may refer to at least two different “Now That’s What I Call Music!”-series albums, including:

  • Now That’s What I Call Music! 21 (original UK series, 1992 release)
  • Now That’s What I Call Music! 21 (U.S. series, 2006 release)

Resources

City - Granite City

Granite City may refer to:

  • Granite City, Illinois.
  • The Granite City, the nickname of St. Cloud, Minnesota.
  • Granite City Food & Brewery, a chain of restaurants with on-site breweries.
  • the nickname of Aberdeen, a city in Scotland.

Resources

Young Scientists - List of State Soil Science Associations

This is a comprehensive list of state-level professional soil science associations in the United States.


Associations

Alabama - Professional Soil Classifiers Association of Alabama

Alaska/Yukon Society of Professional Soil Scientists

Arizona

Arkansas Association of Professional Soil Classifiers

California - Professional Soil Scientists Association of California

Colorado

Connecticut

Delaware

Florida Association of Environmental Soil Scientists

Georgia - Soil Science Society of Georgia

Hawaii

Idaho Soil Scientists Association

Illinois Soil Classifiers Association

Indiana Association of Professional Soil Classifiers

Iowa Association of Professional Soil Classifiers

Kansas Association of Professional Soil Classifiers

Kentucky Association of Soil Classifiers

Louisiana

Maine Association of Professional Soil Scientists

Maryland

Massachusetts

Michigan - Soil Classifiers Association of Michigan

Minnesota Association of Professional Soil Scientists

Mississippi - Professional Soil Classifiers Association of Mississippi

Missouri | Association of Professional Soil Scientists

Montana

Nebraska Association of Professional Soil Scientists

Nevada

New Hampshire Association of Natural Resource Scientists

New Jersey

New Mexico Association of Professional Soil Scientists

New York - Empire State (New York) Pedologists

North Carolina - Soil Science Society of North Carolina

North Dakota - Professional Soil Classifiers Association of North Dakota

Ohio - Association of Ohio Pedologists

Oklahoma Professional Soil Science Association of Oklahoma

Oregon Soil Science Society

Pennsylvania Association of Professional Soil Scientists

Rhode Island

South Carolina Professional Soil Classifiers

South Dakota Professional Soil Scientists Association of South Dakota

Tennessee - Soil Science Association of Tennessee

Texas Professional Soil Scientists of Texas Association

Utah Society of Soil Scientists

Vermont

Virginia Association of Professional Soil Scientists

Washington Society of Professional Soil Scientists

West Virginia Association of Professional Soil Scientists

Wisconsin Society of Professional Soil Scientists

Wyoming


See also

  • National Cooperative Soil Survey


References

United States Consortium of Soil Science Associations

Resources

To save documents - Ad Gentes

Ad Gentes is the Second Vatican Council’s Decree on the Missionary Activity of the Church. Passed by the assembled bishops by a vote of 2,394 to 5, it was promulgated by Pope Paul VI on November 18, 1965. The title is Latin for “To the Nations,” and is from the first line of the decree, as is customary with Roman Catholic documents. (The full text in English is available from the Holy See’s website.)

Ad Gentes focused on the factors involved in mission work. It called for the continued development of missionary acculturation. It encourages missionaries to live with the people they are attempting to convert, to absorb their ways and culture. It encourages the coordination of mission work through agencies and the cooperation with other groups and organizations within the Catholic Church and other denominations.


Contents

The numbers given correspond to the section numbers within the text.

  1. Preface (1)
  2. Principles of Doctrine (2-9)
  3. Mission Work Itself (10-18)
    1. Christian Witness (11-12)
    2. Preaching the Gospel and Gathering Together the People of God (13-14)
    3. Forming a Christian Community (15-18)
  4. Particular Churches (19-22)
  5. Missionaries (23-27)
  6. Planning Missionary Activity (28-34)
  7. Cooperation/ (35-41)

King Edward VI Five - Edward Howard

This may refer to:

  • A centenarian Roman Catholic archbishop in Oregon; see Edward Howard (bishop)
  • Early naval commander and Lord High Admiral; see Edward Howard (admiral)
  • The 1800 winner of the Copley Medal; see Edward Howard (scientist)
  • Edward Howard (1813-1904), was one of the earliest time-piece makers in US history and the founder of E. Howard & Co..

Resources

Existence by Saint Thomas - Saint-Amant

Saint-Amant may refer to:


People

  • Pierre St. Amant (1800 – 1872), French chess player
  • Antoine Gérard de Saint-Amant (1594 - 1661), French poet


Places

  • St. Amant, Louisiana

Saint-Amant is also the name or part of the name of several communes in France:

  • Saint-Amant, in the Charente département
  • Saint-Amant-de-Boixe, in the Charente département
  • Saint-Amant-de-Bonnieure, in the Charente département
  • Saint-Amant-de-Nouère, in the Charente département
  • Saint-Amant-Roche-Savine, in the Puy-de-Dôme département
  • Saint-Amant-Tallende, in the Puy-de-Dôme département


See also

  • Saint-Amand
  • Saint-Amans

Resources

Television drama Saved! - Fashion 70’s (TV series)

Fashion 70’s is a Korean television drama on SBS Korea. It was Korea’s first fashion drama. The scenario is Sejung Group’s history .

It was created by SBS, and is made by Kim Jong Hak Production and Sejung.


Cast stars

  • Lee Yo Won
  • Joo Jin Mo
  • Chun Jung Myung
  • Kim Min Jung


See also

  • List of Korean television shows
  • Contemporary culture of South Korea
  • Fashion


External links

  • SBS Fashion 70’s Korea Website
  • Kim Jong Hak Production Website
  • Sejung Homepage(Make Supporters)
  • Shinhan Wellpaper Homepage(Make Supporters)
  • Kiturami Boiler Sales Homepage(Make Supporters)

Resources

Bond Saved - Fixed rate bond

In finance, a fixed rate bond is a bond with a fixed coupon (interest) rate, as opposed to a floating rate note. A fixed rate bond is a long term debt paper that carries a predetermined interest rate. The interest rate is known as coupon rate and interest is payable at specified dates before bond maturity.

Resources

In theology - Theology Proper

Theology Proper is the term used to distinguish the study of God in a Christian Trinitarian system, as opposed to the study of the Holy Spirit (Pneumatology), the study of the Father and the study of Jesus Christ (Christology). The term Theology literally means the study of God, but is usually used in the generic sense to encompass all sub-studies. The main areas studied are the nature of divinity, the attributes of God, and the works of God.

Resources

Eastern Europe - Robert Picht

Professor Dr. Robert Picht is a German academian and scholar. As a Vice Rector at the College of Europe at Natolin (Warsaw) and a teacher at Natolin and at the College of Europe Bruges campus, he has focused his scholarly attention among other things on Europe in a globalising world order.

Resources

The school: - Cupertino Union School District

The Cupertino Union School District operates twenty elementary schools (K-5) and six middle schools (6-8) in the greater Bay Area, USA area. The district has over 720 teachers (FTEs) serving more than 17,000 students. Schools in this district are considered some of the best in the state and this is one of the contributing factors to high housing prices in the Cupertino area.


Schools


Elementary schools

  • Blue Hills Elementary School
  • Collins Elementary School
  • De Vargas Elementary School
  • Dilworth Elementary School
  • Eaton Elementary School
  • Eisenhower Elementary School
  • Faria Elementary School
  • Garden Gate Elementary School
  • Lincoln Elementary School
  • Christa McAuliffe K-8 School
  • Meyerholz Elementary School
  • Montclaire Elementary School
  • John Muir Elementary School
  • Murdock-Portal Elementary School
  • Nimitz Elementary School
  • Regnart Elementary School
  • Sedgwick Elementary School
  • Stevens Creek Elementary School
  • Stocklmeir Elementary School
  • West Valley Elementary School


Middle schools

  • Cupertino Middle School
  • Hyde Middle School
  • John F. Kennedy Middle School
  • Sam. H. Lawson Middle School
  • Christa McAuliffe K-8 School
  • Miller Middle School


External links

  • Cupertino Union School District

Resources

Academy - Indiana E-Learning Academy

Formerly the Indiana Web Academy, the Indiana E-Learning Academy is a program of the Indiana Department of Education. The stated mission of the Indiana E-Learning Academy is to empower the students and educators in the state of Indiana to integrate technology and the Internet with education.


Related Sites

  • Indiana E-Learning Academy
  • A practitioner’s perspective in post learning via e-learning
  • Post learning and educational materials in practice

Game saved - National game

National game might refer to:

  • America’s National Game: a book by Albert Spalding.
  • National Games Week: an annual event occurring on Thanksgiving week in the US.
  • National Bingo Game: (UK): A bingo game using preselcted numbers played in bingo halls in the UK, run by the National Bingo Game Association.
  • National Game XI: A squad of players selected as the best representative of the football pyramid system below the Football League in England

After People Play with their balls they come here to play some game with their sweaty ball hands

Resources

Existence by - Sicilian Briton

The Sicilian Briton was an early 5th century Christian theologian known for his egalitarianism. He came from Britain and wrote in Sicily, but his name is unknown.

He wrote six pamphlets, all on the text “If you would be perfect, go, sell what you possess and give to the poor” (Matthew 19:21). In his best known work, De Divitiis (”On Riches”), he blamed the existence of poverty on the existence of wealth. He divided people into three categories: the rich, the poor, and those who have enough, and advocated redistributing the excess wealth of the rich so that everyone has enough. This was summarised in the slogan: tolle divitem et pauperum non invenies (”abolish the rich and you will find no more poor”). His views can be considered an early form of socialism.

He was associated with his fellow Briton Pelagius, although Pelagius distanced himself from the Sicilian Briton’s more radical doctrines.


References

  • John Morris (1973), The Age of Arthur

Resources

Certain prescribed - Arakhin

Arakhin (Arachin) is the fifth tractate in Seder Kodashim. It consists primarily of the laws pertaining to donating one’s prescribed value as described at the end of the book of Leviticus, as well as other gifts to bedek habayis, or the treasury of the Temple. The end of Arakhin discusses the laws of ancestral fields and houses in walled cities, and the proper way to redeem them.

Resources

1980 - Komakino

Komakino was a single by Joy Division released in April 1980 as a 7″ flexi limited to 10,000 copies and given away free. The B-sides Incubation and As You Said (also known as “Incubation 2″ or “And Then Again”) are both instrumentals. The American band Coma Cinema takes their name from the English translation of this song’s title. There is also a Derby based band named Komakino.

WAYS may stand - Hundredweight (song)

Hundredweight” was the first single released by Eastbourne based indie rock three piece easyworld, on Fierce Panda Records on February 19, 2001. The single was released on two separate formats, CD and orange 7″ vinyl, both released in limited pressings of 500 each. The vinyl version contained the track ‘U Make Me Wanna Drink Bleach’, which would later appear on the band’s first EP, Better Ways to Self Destruct (in the form of a stylophone mix), their first full album, This is Where I Stand (for which the track was completely re-recorded), and as a single in itself. The CD version comes with one extra song, All I Ever Had, which is not found on any other easyworld release. Musically, while the other two songs are arguably more representative of the ‘earlier’ easyworld, with their upbeat pop punk guitar sound, it is the more melancholy All I Ever Had which bears the most similarity to later releases. As for Hundredweight itself, it also reappeared on Better Ways to Self Destruct (though it was not re-recorded), and This is Where I Stand (as a completely re-recorded version, titled ‘100 Weight’). Also, the same recording which is found on this single was included on the compilation . Both versions of the single are quite collectible, being the most rare of commercial easyworld releases, and have been known to go for anything up to £30 on eBay.


Tracklisting


CD

  1. Hundredweight
  2. U Make Me Wanna Drink Bleach
  3. All I Ever Had


7″ Vinyl

  1. Hundredweight
  2. U Make Me Wanna Drink Bleach

Resources